Stalin, I. Report to the Seventeenth Party Congress on the Work of the Central Committee (Otchetnyi doklad XVII syezdu VKP(b) o rabote TsK VKP(b)). 1935. In Russian. (Otchetnyi doklad XVII syezdu VKP(b) o rabote TsK VKP(b) 26 yanvarya 1934 g.)

Сталин И. Отчетный доклад XVII съезду ВКП(б) о работе ЦК ВКП(б) 26 января 1934 г. / иллюстрации бригады художников под руководством И. И. Бродского ; оформление Н. Седельникова. Первое иллюстрированное издание.
Москва : Партиздат ЦК ВКП(б), 1935. 147, [5] с., ил.
Твердый переплет. 25,5 см.
Переплет - хороший: выцветание ткани, износ уголков и краев корешка. Блок - хороший: чистые страницы, крепкая сшивка.
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Stalin, I. Report to the Seventeenth Party Congress on the Work of the Central Committee of the C.P.S.U.(B.) January 26, 1934 / illustrations by a brigade of artists led by I. I. Brodsky ; design by N. Sedelnikov. First illustrated edition.
Moscow : Partizdat TsK VKP(b), 1935. 147, [5] pp., ill.
Hardcover. 25.5 cm.
Binding good: fading to the cloth, wear to corners and spine extremities. Text block good: firm and clean.

An exceptional monument of early Soviet book design and Socialist Realist art, this deluxe illustrated edition presents Joseph Stalin's report to the Seventeenth Congress of the Communist Party, delivered in January 1934. Historically dubbed the "Congress of Victors," this event celebrated the apparent successes of the First Five-Year Plan, rapid industrialization, and forced collectivization, marking the absolute consolidation of Stalin's power just prior to the onset of the Great Purges. To commemorate the speech, the state publishing house Partizdat commissioned a lavishly illustrated edition in 1935. The visual narrative was entrusted to a prestigious brigade of Leningrad artists under the direction of Isaak Brodsky, a founding figure of Socialist Realism. The team included prominent painters and graphic artists such as Vladimir Serov, Nikolai Kochergin, and Pyotr Buchkin, while the constructivist-leaning Nikolai Sedelnikov directed the overall book design. The volume features thirty-six vivid color plates and a frontispiece portrait of Stalin, meticulously integrating political rhetoric with monumental, heroic imagery of proletarian labor, marching pioneers, and vast industrial landscapes. As a luxury propagandistic production, this book was printed using high-quality lithography and bound in publisher's cloth. Today, it stands as a highly collectible artifact for historians of the Soviet Union, scholars of totalitarian aesthetics, and collectors of twentieth-century propaganda art, perfectly encapsulating the triumphalist visual culture of the Stalinist 1930s.