Chudak (The Eccentric) Magazine, No. 17, 1929. Cover by B. Efimov and Iv. Malyutin. In Russian.

Чудак. №17, 1929. / Под редакцией М. Кольцова; Иллюстрации на обложке Б. Ефимова и Ив. Малютина; Внутренние иллюстрации В. Козлинского, Б. Ефимова, А. Радакова, К. Ротова.
Москва : Издательство «Огонек», 1929.
16 с. : ил. ; 31,2 x 23,5 см. Мягкая издательская иллюстрированная обложка, энциклопедический формат.
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Chudak (The Eccentric). No. 17, 1929. / Edited by M. Koltsov; Cover illustrations by B. Efimov and Iv. Malyutin; Internal illustrations by V. Kozlinsky, B. Efimov, A. Radakov, K. Rotov.
Moscow : Ogonyok Publishing House, 1929.
16 pp. : ill. ; 31.2 x 23.5 cm. Softcover, large format.

This 1929 seventeenth issue of the satirical weekly Chudak (The Eccentric) is a premier example of the vibrant and biting humor that characterized the late 1920s Soviet press. Edited by the legendary journalist Mikhail Koltsov, the magazine served as a platform for an extraordinary roster of literary talent, including Valentin Katayev, Yuri Olesha, Mikhail Zoshchenko, and the celebrated duo Ilya Ilf and Evgeny Petrov. This specific number features a striking cover illustrated by the masters of political caricature Boris Efimov and Ivan Malyutin, while the internal pages are enriched with dynamic graphics by Vladimir Kozlinsky, Alexei Radakov, and Konstantin Rotov. The publication captures the social and political tensions of the era, reflecting the brief period when authors like Vladimir Mayakovsky and Demyan Bedny could employ sharp satire to address the complexities of Soviet life. Due to its increasingly bold content and ideological friction with the Secretariat of the Central Committee, which cited the publication of anti-Soviet materials, Chudak faced severe censorship and was eventually shuttered and merged with Krokodil in February 1930. Measuring 31.2 by 23.5 centimeters, this 16-page large-format journal remains a vital primary source for researchers of Soviet media history and collectors of early revolutionary satire, documenting the high-water mark of an independent editorial spirit before the total state consolidation of the publishing industry.