[Signed by the author to the legendary poet Titsian Tabidze] Shanshiashvili, Sandro. Dramas (Dramebi). First edition. Tiflis, 1926. In Georgian.

შანშიაშვილი, სანდრო. დრამები. პირველი გამოცემა.
ტფილისი : სახელგამი, 1926 [გარეკანზე 1927]. 421, [1] გვ. ; 24 სმ.
შინაარსი: ჰერეთის გმირები; სპარტაკ; ლატავრა; ბენდო ზმანია; უგვირგვინო მეფენი; როდამ.
ორიგინალური ილუსტრირებული რბილი გარეკანი. ტირაჟი 3 000 ეგზემპლარი.
შმუცტიტულზე — ავტორის, სანდრო შანშიაშვილის უნიკალური ხელნაწერი მიძღვნა და ავტოგრაფი წითელი მელნით, ადრესატია გენიალური ქართველი პოეტი ტიციან ტაბიძე. მიძღვნა დათარიღებულია 1927 წლის 22 მარტით.
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Shanshiashvili, Sandro. Dramas (Dramebi). First edition.
Tiflis : Sakhelgami (State Publishing House), 1926 [wrapper dated 1927]. 421, [1] pp.
Original publisher's illustrated paper wrappers. 24 cm. Print run of 3,000 copies.
The half-title page features an exceptional, historically monumental presentation inscription in red ink from the author to the martyred Georgian symbolist poet Titsian Tabidze.
Condition good: wrappers show minor soiling and a small loss at the spine, slight text block skew; internally firm, with a neat repair to a tear on pp. 15-16, and faint, decreasing dampstaining to the upper margins of pp. 195-210.

An artifact of supreme literary and historical significance. This first edition of collected plays by the prominent Georgian writer Sandro Shanshiashvili (1888–1979) was inscribed and gifted directly to Titsian Tabidze (1895–1937), one of the greatest Georgian poets of the twentieth century and a leading figure of the "Blue Horns" avant-garde movement. Tabidze, whose visionary poetry profoundly influenced the Caucasian literary renaissance and who was famously immortalized in translations by his close friend Boris Pasternak, was executed during the Great Purge of 1937. Books bearing personal inscriptions to repressed authors of Tabidze's stature are practically nonexistent on the antiquarian market, as their personal libraries and archives were frequently confiscated, scattered, or destroyed by the NKVD. Despite the noted minor physical flaws, the presence of this warm, fraternal inscription linking two central figures of the Georgian literary scene elevates this volume from a rare dramatic anthology to a museum-quality relic of the Soviet literary avant-garde and its tragically doomed generation.