Rapoport, I. An Actor's Work (Rabota aktera). Iskusstvo, 1939. In Russian.

Рапопорт, И.М. Работа актера.
Москва; Ленинград : Государственное издательство "Искусство", 1939. 152 страницы.
Твердый издательский переплет. Обычный формат. Тираж 15 000 экземпляров.
Книга составлена на основе статей автора, опубликованных в журнале "Колхозный театр" за 1934 год, и излагает основные положения актёрской работы, сложившиеся на практике учебной работы Театра имени Евгения Вахтангова; адресована руководителям и участникам самодеятельных театров.
Состояние хорошее: переплет крепкий, с небольшим износом. Блок в хорошем состоянии, текст полный.
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Rapoport, Iosif M. An Actor's Work.
Moscow ; Leningrad : State Publishing House "Iskusstvo", 1939. 152 pp.
Publisher's hardcover. Standard format. Print run of 15,000 copies.
Compiled from the author's articles published in the journal "Kolkhoznyi teatr" in 1934, setting out the principles of actor's craft as they developed in the practical training work of the Vakhtangov Theatre; addressed to leaders and participants of amateur theatre groups.
Condition good: binding sturdy with light wear. Text block good, text complete.

Iosif Matveevich Rapoport (1900-1970) was an actor and director at the Vakhtangov Theatre in Moscow from 1920 until the end of his career, staging landmark productions there including Ostrovsky's "Guilty Without Guilt" (1937) and an adaptation of Bulgakov's "Don Quixote" (1941). "An Actor's Work," issued in this 1939 edition, distills the practical system of actor training developed inside the Vakhtangov studio - itself descended from Stanislavski's System as reworked by Evgeny Vakhtangov's more theatrically expressive, "fantastic realist" approach - into a working manual explicitly intended for the leaders and participants of the Soviet Union's amateur ("self-activity") theatre movement, the vast network of factory, collective-farm, and club-based dramatic circles the state actively promoted through the 1930s. Structured in two parts, "Work on Oneself" and "Work on the Role," the book proceeds from foundational exercises in organic attention, muscular freedom, and imaginative "justification" through scenic action, characterization, and text analysis, illustrated with practical exercises and a close reading of Ostrovsky's comedy "Enough Stupidity in Every Wise Man" and other set texts. Compiled from Rapoport's own articles in the journal "Kolkhoznyi teatr" (1934), it offers a direct written record of how the Vakhtangov school's internal training practice was codified and popularized for a mass, non-professional audience during the high Stalinist period of Soviet theatrical pedagogy. For collectors and historians of the Stanislavski-Vakhtangov tradition and of Soviet amateur ("samodeyatelnost") cultural policy, the volume is a useful primary source alongside the better-known theoretical writings of Stanislavski and Nemirovich-Danchenko.