Jami, Nur al-Din Abd al-Rahman. Baharestan. Spring Garden (Bakharestan. Vesennii sad). First edition. Academia, 1935. In Russian and Persian

Джами, Нур-эд-Дин Абд-эр-Рахман. Бэхарестан. Весенний сад / перевод четырнадцати отрывков, вступительная статья и примечания К. Чайкина ; гравюры на дереве М. В. Маторина. Первое издание.
Москва : Издательство Academia, 1935. 84, [4] с., 1 л. фронтиспис : ил.
Твердый коленкоровый переплет. 15 х 11,5 см. Тираж 5 300 экз.
Переплет - удовлетворительное: общее выцветание и пожелтение ткани, издательская суперобложка утрачена. Блок - очень хорошее: крепкий, страницы чистые, без фоксингов, штампов и читательских помет.
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Jami, Nur al-Din Abd al-Rahman. Baharestan. Spring Garden / translation of fourteen excerpts, introductory article and notes by K. Chaikin ; wood engravings by M. V. Matorin. First edition.
Moscow : Academia Publishing House, 1935. 84, [4] pp., 1 leaf frontispiece : ill.
Hardcover. 15 x 11.5 cm. Print run of 5,300 copies.
Binding fair: cloth generally age-toned and faded, original dust jacket lacking. Text block very good: firm, clean throughout, free of foxing, stamps, and reader marks.

A highly collectible bilingual edition of the classic Persian literary work "Baharestan" (The Spring Garden) by the illustrious 15th-century poet and Sufi scholar Nur al-Din Abd al-Rahman Jami. Published in 1935 by the legendary Soviet publishing house "Academia", this volume represents a pinnacle of early Soviet academic printing and book design. Modeled on Saadi's famous "Gulistan", Jami's work consists of profound moral anecdotes, aphorisms, and lyric verses. This specific edition is particularly valuable for its dual-language format, featuring the original Persian text in traditional script presented directly alongside the Russian translation by Konstantin Chaikin, a prominent Soviet Iranologist who also contributed the scholarly introduction and annotations. The aesthetic appeal of the volume is greatly elevated by the striking two-color woodcut frontispiece, intricate headpieces, and tailpieces masterfully executed by the renowned graphic artist Mikhail Matorin. Issued in a relatively small print run of 5,300 copies, "Academia" imprints are passionately sought after by bibliophiles worldwide for their exceptional typographic quality and cultural significance. While the external cloth binding has suffered obvious moisture staining and the dust jacket is absent, the internal text block remains remarkably pristine, preserving the beautiful typography and woodcuts. This makes it a very attractive reading and reference copy for collectors of Soviet book arts, Persian literature, and historical Iranology.