Vinner, A. Varnishes and Their Use in Painting (Laki i ikh primenenie v zhivopisi). Edited by I. Grabar, cover design by G. Bershadsky, 1934. In Russian.

Виннер, А. В. Лаки и их применение в живописи / под редакцией Игоря Грабаря и проф. С. А. Торопова.
Москва : ОГИЗ-ИЗОГИЗ (Государственное издательство изобразительных искусств), 1934. 256 страниц, с таблицами.
Иллюстрированная издательская бумажная обложка (художник Г. С. Бершадский), слегка увеличенный формат. Тираж 3 000 экземпляров.
Обложка хорошее: загрязнения и разводы, небольшие утраты бумаги по краям и углам. Блок хорошее: у одного из последних листов оторван уголок поля (текст не задет).
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Vinner, A. V. Varnishes and Their Use in Painting / edited by Igor Grabar and Prof. S. A. Toropov.
Moscow : OGIZ-IZOGIZ (State Publishing House of Fine Arts), 1934. 256 pp., with tables.
Publisher's illustrated paper wrappers (cover design by G. S. Bershadsky), slightly enlarged format. Print run of 3,000 copies.
Wrappers good: soiling and staining, small paper losses at edges and corners. Text block good: one of the final leaves with a torn corner to the margin (text unaffected).

A scarce technical reference work addressing what its own preface identifies as an acute gap in Soviet art literature: a modern, scientifically grounded account of varnishes and their application in painting, at a time when the only earlier Russian-language treatment of comparable rigor, Professor F. F. Petrushevsky's 1891 "Paints and Painting", had already become a bibliographic rarity. The book surveys solvents, varnish resins, and classical recipes for oil and spirit varnishes drawn from historical sources spanning the eleventh through eighteenth centuries, alongside practical guidance on varnishing finished paintings, and is aimed at practicing easel and mural painters, art students, and amateur artists alike. Its author, A. V. Vinner, was a specialist in the materials and technology of painting who went on to publish further standard Soviet reference works in the field, including studies of mosaic painting materials and, with Alexander Laktionov, a study of Soviet portrait-painting technique. The edition was prepared under the general editorship of Igor Emmanuilovich Grabar (1871-1960), the preeminent Russian and Soviet painter, art historian, and museum administrator who directed the Tretyakov Gallery and founded the Soviet Union's Central State Art Restoration Workshops, making him the leading institutional authority on painting conservation of his era; his involvement lends this modest technical manual real historiographic weight within the history of Soviet art conservation science. The wrapper's bold cut-paper lettering, designed by G. S. Bershadsky, is characteristic of early-1930s Soviet trade-book typography still carrying a late-Constructivist visual vocabulary. Issued in a print run of only 3,000 copies, the book is seldom encountered today, particularly with its fragile illustrated wrappers intact.