[Signed] Concert Program of Mstislav Rostropovich and Alexander Dedyukhin, 1972. In Russian and Georgian.

[С автографами М. Ростроповича и А. Дедюхина] Программа концерта Мстислава Ростроповича и Александра Дедюхина.
Тбилиси : Накадули, 1972.
[4] с. ; 20,5x14 см. Тираж 1000 экз. Редкость. Мягкая издательская обложка (буклет).
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[With autographs by M. Rostropovich and A. Dedyukhin] Concert Program of Mstislav Rostropovich and Alexander Dedyukhin.
Tbilisi : Nakaduli, 1972.
[4] pp. ; 20.5x14 cm. Print run: 1,000 copies. Rarity. Original softcover (booklet). In Russian and Georgian.

This unique 1972 concert program documents a historic performance by the world-renowned cellist Mstislav Rostropovich (1927–2007) and his long-time piano collaborator Alexander Dedyukhin (1925–1993). Held on December 8, 1972, at the Small Concert Hall of the Georgian State Philharmonic in Tbilisi, the event took place during a pivotal period in Rostropovich's career, just years before his forced emigration from the Soviet Union. The program showcases a sophisticated repertoire, ranging from the classical foundations of Bach, Beethoven, and Gluck to the modern emotional complexity of Dmitry Shostakovich, a close personal friend of Rostropovich. The text provides a deep dive into the internal logic of the duo's musical partnership, including the arrangement of two distinct programs that balance Romantic lyricism with 20th-century avant-garde tendencies.
What elevates this specific artifact to the level of a significant museum-quality rarity is the presence of authentic autographs by both Rostropovich and Dedyukhin. Rostropovich, a People's Artist of the USSR and widely considered the greatest cellist of the 20th century, was a central figure in global cultural life, making his signature highly coveted by collectors. This program serves as a primary source for the history of the Georgian Philharmonic and illustrates the vibrant musical life of Tbilisi during the late Soviet era. Printed in a limited run of only 1,000 copies by the "Nakaduli" publishing house, such ephemera rarely survives in good condition, especially with contemporary signatures, making this an essential piece for archives of Soviet musicology and collectors of musical autographs.