Saido Nasafi. Selected Works (Muntakhabot / Izbrannoe) / translated by A. Adalis. Stalinabad, 1954. In Russian.

Сайидо Насафи. Избранное [Стихи] / перевод А. Адалис ; составление и вступительная статья А. Мирзоева ; художник В. Горбунов ; редактор М. Явич.
Серия: Классики таджикской литературы.
Сталинабад : Таджикгосиздат, 1954. 99 с. ; 18 см.
Твёрдый издательский переплёт. Тираж 5 000 экз. Параллельный титульный лист на таджикском языке (Мунтахабот).
Переплёт хороший, лёгкий износ по уголкам. Блок хороший: влажное пятно на нескольких листах.
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Saido Nasafi. Selected Works / translated by A. Adalis ; compiled, with an introductory essay, by A. Mirzoev ; artist V. Gorbunov ; editor M. Yavich.
Series: Classics of Tajik Literature.
Stalinabad: Tajikgosizdat, 1954. 99 pp. ; 18 cm.
Hardcover publisher's binding. Print run of 5,000 copies. Parallel title page in Tajik (Muntakhabot).
Boards good: light wear at corners. Text block good: moisture stain to several leaves.

Saido Nasafi (Mirobid Saido Nasafi, birth date unknown, d. between 1707 and 1711) was a major Bukharan poet of the seventeenth century writing in the classical Persian-Tajik tradition while himself earning his living as a weaver. His position as a working craftsman among court-trained contemporaries shaped one of the most distinctive features of his verse: a cycle of occupational qasidas addressed to fellow tradesmen, including the "Ode to a Painter" and the celebrated "Ode to a Baker," both present in this collection, in which he drew his imagery directly from the technical vocabulary and daily labor of the craft workshop. His allegorical "Book of Animals," favoring an industrious ant over a despotic lion, voiced a pointed critique of arbitrary power amid the internecine strife of seventeenth-century Central Asia, and his innovations helped establish the shahrashub genre and the broader current of urban, craft-conscious poetry within the Persian-Tajik tradition. The present edition, issued in the Soviet series "Classics of Tajik Literature," represents the first substantial publication of Saido's verse in Russian translation, rendered by the poet and translator Adelina Adalis (1900-1969), with compilation and an extensive introductory essay by the Tajik orientalist Abdulgani Mirzoev, whose companion scholarly monograph on Saido's place in the history of Tajik literature appeared the same year. Issued from Stalinabad (present-day Dushanbe) in a modest run of 5,000 copies, the edition carries parallel title pages in Tajik and Russian, reflecting the dual institutional character of Central Asian Soviet publishing, though the translated text itself runs in Russian throughout. Of interest to collectors of Central Asian and Persian-Tajik literary heritage and Soviet Orientalist scholarship.