Саади, Шейх Муслех-эд-дин. Бустан / вступительная статья, перевод и примечания К. Чайкина ; редактор А. Н. Тихонов ; иллюстрации, заставки, концовки и титульные листы Н. А. Ушина.
Москва : Издательство Academia, 1935. XXIII, 218, [3] с., 12 л. цв. ил. ; 25 х 17,5 см.
Издательский коленкоровый переплет с золотым и блинтовым тиснением. Тираж 5 300 экз. Параллельный титульный лист на персидском языке.
Состояние хорошее: переплет крепкий, золотое тиснение яркое, незначительные потертости краев; книжный блок чистый, страницы и цветные вклейки в хорошей сохранности.
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Saadi, Sheikh Muslih al-Din. Bustan / introductory article, translation and notes by K. Chaykin ; editor A. N. Tikhonov ; illustrations, headpieces, tailpieces, and title pages by N. A. Ushin.
Moscow : Academia Publishing House, 1935. XXIII, 218, [3] pp., 12 leaves of color plates ; 25 x 17.5 cm.
Publisher's cloth binding with gilt and blind embossing. Print run of 5,300 copies. Parallel title page in Persian.
Condition good: binding firm, gilt stamping bright, minor edge wear; text block clean, pages and color plates in good preservation.
A magnificent and highly collectible first edition thus of Sheikh Muslih al-Din Saadi's masterpiece "Bustan" (The Orchard), published by the legendary Soviet publishing house "Academia" in 1935. Saadi Shirazi (1210-1291) is universally recognized as one of the greatest poets of the classical Persian tradition, whose moral, didactic, and philosophical works profoundly influenced both Eastern and Western literature. This edition presents the definitive Russian translation by the prominent orientalist Konstantin Chaykin, providing a faithful and poetic rendition of the 13th-century epic. The book's outstanding artistic and bibliographical value is elevated by the intricate book design and color illustrations by Nikolai Ushin (1898-1942), a celebrated theatrical designer and graphic artist. Ushin, famous for his Grand Prix-winning illustrations of the Academia edition of "1001 Nights", applied his signature Palekh-inspired miniature style to traditional Persian motifs, creating exquisite color plates, headpieces, and a stunning geometric gilt-embossed binding. With a limited print run of only 5,300 copies, this beautiful quarto volume represents a pinnacle of 1930s Soviet Orientalist publishing and book art. Surviving in very good condition with its vibrant color plates and bright gilt binding intact, it is an essential acquisition for collectors of Academia editions, Persian literature, and Russian graphic arts.