[Rare 1943 Wartime Edition] Chakhrukhadze. Tamariani. Translated from Georgian by Shalva Nutsubidze, 1943. In Russian.

Чахрухадзе. Тамариани / перевод с грузинского Шалва Нуцубидзе ; редактор проф. С. Каухчишвили ; оформление книги художника С. Кецховели.
Тбилиси : Издательство ТГУ им. Сталина, 1943. 170 с.
Полутвердый переплет (бумага по картону, тканевый корешок). 20 см. Тираж 4 800 экз.
Состояние хорошее: переплет с естественными возрастными потертостями и легким износом краев картона; блок крепкий, бумага равномерно пожелтела (что типично для изданий военного времени), текст полностью сохранен и читается свободно.
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Chakhrukhadze. Tamariani / translated from the Georgian by Shalva Nutsubidze ; edited by Prof. S. Kaukhchishvili ; book design by S. Ketskhoveli.
Tbilisi : Stalin State University of Tbilisi Publishing House, 1943. 170 pp.
Half-binding (paper-covered boards, cloth spine). 20 cm. Print run of 4,800 copies.
Condition good: binding shows natural age-related rubbing and light edge wear to the boards; text block firm, paper evenly age-toned (highly typical of wartime productions), text completely legible throughout.

A highly significant wartime publication of the classical Georgian ode "Tamariani," attributed to the late twelfth-century poet Chakhrukhadze. Composed during the absolute zenith of the Georgian Golden Age, the work is a monumental panegyric cycle dedicated to Queen Tamar, employing a unique, highly rhythmic, and complex rhyming meter subsequently named "chakhrukhaili" in the author's honor. This 1943 edition features the masterful Russian translation by Shalva Nutsubidze, a titan of Georgian philosophy and literary translation, whose renditions of classical Georgian epics successfully bridged the cultural space between the Caucasus and the broader Soviet intelligentsia. Edited by the eminent philologist Simon Kaukhchishvili, the volume was published by Tbilisi State University during the harshest conditions of the Second World War, a reality reflected in the modest, fragile paper quality and the relatively small print run of 4,800 copies. The book features a handsome dual-language title page and elegant decorative elements by the graphic artist S. Ketskhoveli. Surviving examples of academic press from the Caucasus during the 1941-1945 period are genuinely scarce on the antiquarian market, making this a highly desirable volume for collectors of medieval Georgian literature and Soviet publishing history.