Наши космические пути / редакторы С. В. Курляндская и Н. Ц. Степанян ; художник А. А. Житомирский ; подбор фотоматериала А. В. Бриллиантовой.
Москва : Издательство «Советская Россия», 1962. 302 с., [31] л. ил. ; 27 см (формат бумаги 84×108/8).
Твёрдый переплёт (бумажные крышки на картоне, тканевый корешок). Тираж 12 000 экз.
Переплёт - удовлетворительный: обширные царапины и потёртости на обеих крышках; тканевый корешок цел. Блок - хороший: лёгкое возрастное пожелтение.
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Our Space Paths / edited by S. V. Kurlyandskaya and N. Ts. Stepanyan ; designed by A. A. Zhitomirsky ; photographic selection by A. V. Brilliantova.
Moscow : Izdatelstvo "Sovetskaya Rossiya" [Soviet Russia Publishing House], 1962. 302 pp., with 31 leaves of full-page illustrations (bound in) ; 27 cm.
Hardcover (paper-covered boards with cloth spine). Print run of 12,000 copies.
Binding fair: extensive surface scratching across both boards; cloth spine intact. Text block good: light age-toning.
A major Soviet documentary album on the first decade of the Space Age, assembled immediately in the wake of the Vostok program's opening triumphs. The volume gathers TASS communiqués and Academy of Sciences announcements from the launch of the first artificial Earth satellite in October 1957 through the orbital flights of Yuri Gagarin in April 1961 and Gherman Titov in August 1961, accompanied by speeches, scientific commentary, foreign press reactions, and extensive photographic documentation including color portraits of both cosmonauts. The book's sections cover Sputniks 1, 2, and 3; the first and second manned flights; the early lunar probe missions; and the scientific context of the emerging Space Age. Among the contributors are Academy of Sciences members Alexander Oparin and Vitaly Ginzburg, writers Marietta Shaginyan and Konstantin Simonov, and foreign commentators including the French writer André Stil. The album was designed by Alexander Abramovich Zhitomirsky (1907-1993), one of the most significant Soviet graphic artists of the twentieth century and the foremost Soviet master of political photomontage, renowned internationally for his anti-fascist photomontages produced for the German-language Soviet publication Das Freie Wort during the Second World War. His cover design - a halftone cosmonaut portrait against a purple starfield, framed by bold horizontal typographic bands in black and white - is a characteristic specimen of Soviet space-age graphic design at the intersection of the constructivist legacy and the modernist visual language of the 1960s.