Низами Гянджеви. Хосров и Ширин. Поэма / перевод Константина Липскерова ; художник Ю. Рейнер ; под редакцией В. В. Гольцева ; вступительная статья и комментарии Е. Э. Бертельса.
Москва : Государственное издательство художественной литературы (ГИХЛ), 1948. 472 с., ил., 5 л. цв. вклеек.
Твердый издательский иллюстрированный переплет с тканевым корешком. Увеличенный формат. Тираж 10 000 экз. Иллюстрированные форзацы.
Состояние хорошее: переплет со следами бытования, легкими потертостями углов и корешка, незначительными загрязнениями задней крышки; книжный блок крепкий, цветные вклейки сохранны.
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Nizami Ganjavi. Khosrow and Shirin [Khosrov i Shirin]. Poem / translated by Konstantin Lipskerov ; illustrated by Yu. Reyner ; edited by V. V. Goltsev ; introduction and commentary by E. E. Bertels.
Moscow : State Publishing House of Fiction (GIKhL), 1948. 472 pp., ill., 5 leaves of color plates.
Original publisher's illustrated hardcover with a cloth spine. Enlarged format. Print run of 10,000 copies. Illustrated endpapers.
Condition good: the binding shows signs of handling, light edge wear, and minor soiling to the rear board; the text block is firm and clean, all color plates are well-preserved and intact.
A splendidly illustrated post-WWII Soviet edition of "Khosrow and Shirin," the celebrated romantic epic by the 12th-century Persian poet Nizami Ganjavi. Translated into Russian by Konstantin Lipskerov, this 1948 edition is notable for its rich aesthetic presentation, heavily influenced by traditional Persian miniature painting. The volume features intricate ornamental borders, vividly illustrated endpapers depicting medieval scenes, and five beautiful tipped-in color plates by the artist Yu. Reyner. The scholarly introduction and detailed commentary were provided by Evgeny Bertels, one of the foremost Soviet orientalists of the era. Published by GIKhL in a print run of 10,000 copies, this edition reflects the high artistic standards of late Stalinist book production, particularly regarding literature from the Soviet republics and the broader Near East. This volume remains a structurally sound, highly attractive example of classic Persian literature adapted through mid-century Soviet graphic design.