Kuznetsova, Vera. Costume on the Screen (Kostyum na ekrane). First edition. Leningrad: Iskusstvo, 1975. In Russian.

Кузнецова, Вера Александровна. Костюм на экране / ответственный редактор Н. Р. Мервольф ; художественный редактор Я. М. Окунь.
Ленинград : "Искусство", Ленинградское отделение, 1975. 118 страниц, 17 листов иллюстраций ; обычный формат.
Твердый издательский переплет, иллюстрированная суперобложка. Тираж 10 000 экземпляров. 
Переплет - очень хорошее: чистый, тиснение четкое. Суперобложка - удовлетворительное: значительные разрывы и утраты по краям. Блок - очень хорошее: чистый, крепкий, полный.
***
Kuznetsova, Vera Aleksandrovna. Costume on the Screen / editor N. R. Mervolf ; art editor Ya. M. Okun.
Leningrad : "Iskusstvo", Leningrad Branch, 1975. 118 pp., 17 leaves of plates ; standard format.
Hardcover, illustrated dust jacket. Print run of 10,000 copies. 
Binding very good: clean, lettering crisp. Dust jacket fair: substantial tears and losses to edges. Text block very good: clean, firm and complete.

A specialist monograph on film costume as an element of cinematic art, and the first book by Vera Kuznetsova (b. 1930s, graduate of the Leningrad State University history faculty), who joined the film and television sector of the Leningrad Institute of Theatre, Music and Cinematography (LGITMiK, today the Russian Institute of Art History) as a postgraduate in 1961 and defended her candidate dissertation in 1967 on the art director Evgeny Eney. Kuznetsova argues that costume functions as an active narrative device rather than mere decoration, tracing how it establishes social class, historical period and regional setting, shapes character psychology, and contributes to a film's stylistic and genre identity. The study draws its examples chiefly from Soviet and international cinema of the mid-twentieth century, illustrated with seventeen plates of film stills, including costume analyses of Soviet wartime and post-war productions. The book anticipates Kuznetsova's subsequent work on screen typage and physiognomy, published as "Kinofiziognomika" in 1978, and remains a frequently cited early Soviet contribution to the academic study of film costume, a subject otherwise thinly represented in Russian-language film scholarship of the period.