Engravings of A. I. Kravchenko, 1916–1924: Exhibition Catalog (Gravyury A. I. Kravchenko, katalog vystavki) / compiled by P. M. Dulsky. Kazan, 1924. In Russian.

Дульский, Павел Михайлович. Гравюры А. И. Кравченко. 1916–1924 г.г. : каталог выставки.
Казань : Издание Казанского Центрального Музея ТССР, 1924. [2] с. (фронт., контртит.) + 24 с., ил. ; 14,5×10,5 см.
Издательская бумажная обложка. Тираж 500 экз. (Главлит. № 1378).
Напечатано в школе Полиграфического производства им. А. В. Луначарского под наблюдением П. М. Дульского.
Заставки и концовки на стр. 1–3, 11, 14–19, 22 гравированы А. И. Кравченко на дереве. 
Переплет — передняя обложка хорошая (пожелтение, лёгкие потёртости); задняя обложка в удовлетворительном состоянии: влажностные пятна по всей поверхности, разрывы с утратами бумаги по левому краю. Блок чистый.
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Dulsky, Pavel Mikhailovich, comp. Gravyury A. I. Kravchenko, 1916–1924 gg.: katalog vystavki [Engravings of A. I. Kravchenko, 1916–1924: Exhibition Catalog].
Kazan : Publication of the Kazan Central Museum of the Tatar SSR, 1924. [2] leaves (frontispiece, verso blank) + 24 pp., illustrated ; 14.5×10.5 cm.
Publisher's paper wrappers. Print run 500 copies (Glavlit no. 1378).
Printed at the School of Polygraphic Production named after A. V. Lunacharsky under the supervision of P. M. Dulsky.
Headpieces and tailpieces on pp. 1–3, 11, 14–19, 22 engraved on wood by A. I. Kravchenko. 
Binding: front cover good (yellowing, light surface wear); rear cover fair: moisture staining throughout, tears with paper loss along left edge. Text block clean.

This is the first exhibition catalog devoted to the graphic work of Aleksei Ilyich Kravchenko (1889-1940), one of the outstanding masters of Russian printmaking in the first half of the twentieth century. Born in Pokrovsk, Samara governorate, Kravchenko showed exceptional talent from childhood, entering the Moscow School of Painting at sixteen. He became a central figure of Russian graphic art, working across etching, drypoint, aquatint, and woodcut, and achieving particular mastery in xylography. His prints — dramatic, expressionistic compositions of extraordinary tonal range — brought him international recognition during his lifetime; his works entered the collections of the Tretyakov Gallery, the Russian Museum, the Rumyantsev Museum, and major European institutions. He is especially celebrated for his book illustrations and for his representations of revolutionary-era Russia, Italy, and the Orient following his travels in the 1920s.
The catalog covers the period 1916–1924, encompassing Kravchenko's formative and early mature work. It was compiled by Pavel Mikhailovich Dulsky (1879-1956), art historian, director of the Kazan Central Museum, and the most prolific author of monographic publications on Russian and Tatar art in the region. Dulsky's essay on Kravchenko's art (pp. 3–16) is followed by a bibliography (p. 17), a list of the works shown at the exhibition (pp. 18–21), and a glossary of engraving techniques for non-specialist readers (pp. 22–23). Exceptionally, the woodcut decorations throughout the catalog — headpieces and tailpieces on eleven pages — are original designs engraved on wood by Kravchenko himself, making each copy a minor specimen of the artist's direct printmaking work.