Chveni Tbilisi (Our Tbilisi): Georgian Poets on Tbilisi, an anthology of verse. Issued for the 1500th anniversary of the founding of Tbilisi, 1958. In Georgian.

ჩვენი თბილისი : ქართველი პოეტები თბილისზე [ლექსების კრებული] / სარედაქციო კოლეგია: ალექსანდრე ბარამიძე და სხვები ; მხატვარი ვ. გიორგობიანი.
თბილისი : გამომცემლობა „საბჭოთა საქართველო", 1958. 311 გვერდი, ილუსტრაციები ; 23 სანტიმეტრი.
მაგარი ყდა. ტირაჟი 7 000 ცალი.
მდგომარეობა ძალიან კარგი: კუთხეები მცირედ ცვეთილი, ზურგი კაშკაშა; ბლოკი მტკიცე და სუფთა.
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Chveni Tbilisi (Our Tbilisi): Georgian Poets on Tbilisi, an anthology of verse / editorial board headed by Aleksandre Baramidze ; artist V. Giorgobiani.
Tbilisi : "Sabchota Sakartvelo" (Soviet Georgia) Publishing House, 1958. 311 pp., with woodcut-style illustrations ; 23 cm.
Publisher's hardcover in gold-toned cloth, title lettered in Georgian mkhedruli on the front board and spine, decorative pictorial endpapers in green depicting views of Tbilisi within wreathed vignettes. Print run of 7,000 copies.
Condition very good: light rubbing at corners, spine bright; text block firm and clean, illustrations well preserved.

An anthology assembled for one of the great civic anniversaries of Soviet Georgia: the 1500th jubilee of the founding of Tbilisi, celebrated with major state ceremony in October 1958. The editorial board was headed by Alexandre Baramidze (1902-1994), the foremost Georgian literary historian of the Soviet era and the leading modern authority on Shota Rustaveli and classical Georgian literature, whose involvement placed the volume within the highest tier of official Georgian literary scholarship of the period. The anthology gathers verse devoted specifically to the city of Tbilisi across the full historical span of Georgian poetry: medieval court poets including King Archil II, King Vakhtang VI, David Guramishvili, and the eighteenth-century Tbilisi troubadours Besiki and Sayat-Nova; the nineteenth-century Romantic generation of Grigol Orbeliani and Nikoloz Baratashvili; the founders of modern Georgian literature and national revival, Ilia Chavchavadze, Akaki Tsereteli, and Vazha-Pshavela; and the major poets of the Soviet Georgian twentieth century, among them Galaktion Tabidze, Titsian Tabidze, Paolo Iashvili, Simon Chikovani, and Giorgi Leonidze, several of whom belonged to the "Blue Horns" symbolist circle centered in Tbilisi's literary cafés in the 1910s-1920s. The book's design reflects its ceremonial jubilee status: gold-toned cloth boards, a half-title woodcut view of the Metekhi cliff and old town, and pictorial endpapers framing emblematic Tbilisi landmarks within laurel-wreath vignettes, all consistent with the elevated production standards Soviet republican publishers reserved for anniversary and commemorative editions. As a compact single-city poetic anthology spanning three centuries of Georgian verse, compiled under the imprimatur of the era's leading Rustaveli scholar, the volume holds interest for collectors of Georgian literary history, of Tbilisi civic iconography, and of Soviet jubilee book design.